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Cooper Moore is a composer-improviser, instrumentalist, designer and builder of musical instruments, and music educator, living and working in New York City. A native of the Piedmont area of the Blue Ridge Mountains of Virginia, Cooper-Moore began studying piano at age eight. Four years later, he was listening to the musics of Thelonius Monk, Charles Mingus, Ornette Coleman, and working on improvisation.

He earned a B.A. in Music Education from The Catholic University of America in Washington, D.C. and later studied composition-arranging at the Berklee College of Music in Boston, MA. Moving to New York in 1973, Cooper-Moore leased the five-floor 501 Canal Street building and transformed it into an artist live-in/work space, making possible numerous experimentations between performing and visual artists.

While his attention was focused on piano performance in New York clubs and touring abroad, Cooper-Moore began designing and building musical instruments and played them in collaboration with all kinds of artist at lofts, galleries, artist spaces, museums, and in the streets of New York City.

He has over the years built an extensive instrument collection, using such material as paper, bamboo, metal, wood, and acrylic. He most often performs with his ashimba (a type of xylophone), bass diddly-bow, horizontal hoe-handle harp, three stringed fretless banjo, and electric mouth bow. His instruments have been exhibited at the Thread Waxing Gallery, NYC, and The Goddard Riverside Community Center, NYC.

His performance, A MINDSET, resulting from a Diverse Forums Grant, was presented by Dance Theater Workshop in 1992. This was a work comparing the criminal justice and the social welfare systems in America.

Other noted projects include his collaboration with ecologist and coordinator of the first Earth Day, Sam Love, on their work, Visions of Tomorrow. This show toured one hundred college campuses in 44 states. There was the year long exploration with book and paper artist Susan Share on her Unfolded Worlds, his work with Moving Spirits Dance Theater, and his present collaboration in the experimental improvisational instrumental trio, Triptych Myth.

His teaching and workshop experiences include seven years as a music therapist at the Harlem Interfaith Counseling Service in NYC, and five years at the Wolf Trap Foundation in Virginia where he developed methods for using music to teach subjects in Headstart classrooms. His innovative approaches were recognized by National Headstart which hired him to help reproduce his work across America.

Cooper-Moore has a teaching association with The New School for Social Research, Jazz Department
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DISCOGRAPHY

Valley of Search - Alan Braufman 4tet - India Navigation

The Birth of a Being - David S. Ware, Gene Ashton (Cooper-Moore), Marc Edwards - Hat Hut

William Parker’s In Order to Survive - Black Saint

Compassion Seizes Bed-Stuy - William Parker’s In Order to Survive -Homestead Records

The Peach Orchard - William Parker’s In Order to Survive - AUM Fidelity

Posium Pendasem, William Parker’s In Order to Survive - FMP

Vision Festival 1997 Compiled vol.1 - Coleus in Bloom/Paradox , Cooper-Moore Quartet - AUM Fidelity

Sunrise In The Tone World - William Parker & The Little Huey Creative Music Orchestra - AUM Fidelity

Radiance - The Susie Ibarra Trio - Hopscotch

Flower After Flower - Susie Ibarra project - avant

Bill Cole‚s Untempered Ensemble
Live in Greenfield, Massachusetts - Boxholder
The Untempered Ensemble – bill cole- Duets & Solos Volume I -Boxholde

Seasoning the Greens, bill cole - Boxholder

Deep in the Neighborhood of History and Influence -
Cooper-Moore, Solo Piano - Hopscotch

Triptych myth – hopscotch

America - Cooper-moore & assif Tsahar - Hopscotch
   
 

   

 

sounds
choir
1. - trouble
2. - great

PROCTS:

piano solo
hand built instrumnet solo
triptych myth -
cooper-moore
tom abbs
chad taylor
voices - a choral ensemble

He has performed in the bands of Vincent Chancey, Dr. Bill Cole, Joseph Daley, Tiye Giraud, Joseph Jarman, Masahiko Kono, Diedre Murray, William Parker, Perry Robinson, Susie Ibarra, Warren Smith and Butch Morris; with the dance companies of Jill Becker and Dancers, Robin Becker, Forces of Nature, Anita Gonzales, Elizabeth Gottlieb, Koo Dance, Movin Spirits Dance Theater and Joan Miller's Dance Players.
He has recorded with Dr. Bill Cole, Susie Ibarra, William Parker, assif tsahar, David S. Ware, Steve Swell, Alan Braufman, and the George Carver Band.